Monday, March 30, 2009
A Moment is a Lot
We must come as little children to enter into the kingdom. That language of the kingdom, or the "kindom," is so on my mind of late. And yesterday evening I felt a moment of that, a moment of the kingdom, that safe place of inclusion, of gathering close where we can tell our own stories, sing our our own songs, and laugh together. I finally had comfort with one who has made me uncomfortable. I heard from ones who are quiet, and discovered the power of eggs, especailly deviled eggs. We seem to be the queens of deviled eggs. So I am pleased. The most pleasing thing was the sense of answered prayer, that these friends and nearly friends, for whom I have been praying, are growing. I saw us enjoy a moment of that peace, wholeness, and healing that I pray for, a moment of "thy kingdom come, thy will be done, on earth as it is in heaven." And a moment is a lot.
Wednesday, March 25, 2009
From an Article on Illinois Church Shooting
I don't know how many of you happened to read Terry Mattingly's column in the Faith & Family section of the NS last Saturday. I'd read online many of the news stories and comments immediately following the Maryville, IL shooting and have been trying decide what I want to write to the congregation given our differences in theology and some of the "God's will" statements that were being made early on. I'd concluded I wanted to share Shonna Cole's poem ("On Earth as it is") from Sunday and Mattingly's piece helped me decide what to write on my own. I think the column will be of interest of others at TVUUC. The article follows:
"Terry Mattingly, March 21, Knoxville NSBullets, Bibles and Big QuestionsBy age 14, Cassie Griffin had collected a bedroom full of toy frogs, each a playful symbol of her F.R.O.G. motto — Fully Relying On God.She was tall for her age, which probably made it easier for gunman Larry Gene Ashbrook to target her on that horrific night a decade ago at Wedgwood Baptist Church in Fort Worth, Texas. Cursing God and Baptists, he stormed into a youth prayer service, firing 100 rounds and exploding a pipe bomb — leaving seven dead and seven wounded.
At a recent meeting of the Wedgwood deacons, Cassie’s father gave his pastor a message for the faithful at the First Baptist in Maryville, Ill., where another disturbed gunman killed the senior pastor while he preached on Sunday, March 8.“Let those people know that my son is still struggling,” the deacon told the Rev. Al Meredith, who preached to the stricken Maryville flock exactly one week after their pastor’s death.This kind of tragedy, said Meredith, is not “something you get over with three points and a poem,” a dose of scripture, a verse of “Victory in Jesus” and a proclamation that, “Everything’s fine. Let’s move on.”
There’s a “Greek word” for that kind of theology and it’s “baloney,” he said, preaching where the Rev. Fred Winters bled and died, his Bible blasted apart by one of 27-year-old Terry Joe Sedlacek’s first shots. Police have not announced a motive.“Every day with Jesus is not sweeter than the day before,” said Meredith, in a sermon that swung from tears to gospel singing to laughter. “Some days are evil. In fact, the Bible says, ‘Stand that you might be able to stand in the evil day.’ Last Sunday was an evil day, and our hearts are breaking. …“People are going to ask, ‘When are you going to get over this?’ You’re never going to get over this, but by God’s grace you’re going to get through it. And God will give you joy and peace in the midst of it, in the midst of the tears and the heartache. Have you learned that? You are learning it. It’s the praise you give with a broken heart that is the greatest sacrifice you can offer God.”
There are few pastors who have faced the challenge of preaching in a sanctuary that has blood on the carpet and bullet holes in the walls. There are few who have had to face the press after this kind of bloodshed, with most of the reporters asking an ancient question that is at the heart of mature faith: “Can you tell us where God is in all of this?”
Meredith, of course, addressed that question when he faced his own shell-shocked flock. That’s why the Maryville church asked him to come preach.Back in 1999, he said: “If God really loves us, if God is all powerful, why in the world did he let this happen? Why does God allow evil to seemingly abound in this world? Why Columbine? … Why do a million and a half unborn babies have their lives snuffed out before they have a chance to breathe a breath? Why do children die of hunger daily around the world? Why is there pain? Why is there suffering? Why is there mental illness? … The question is, ‘Where is God when we hurt?’ “The reality is that there is no way to avoid suffering. Thus, the crucial test is whether believers can face trials and tribulations without sliding in despair.
Meanwhile, said Meredith, far too many churches are fighting about the “color of the carpet or the music they sing,” while suffering people keep looking for some sense of hope — in this world and the next. It doesn’t help that anyone with a television remote can find scores of “health and wealth boys” who claim that true believers will avoid pain and strife altogether.“Tell that to every saint that’s died. Tell that to the saints that are struggling with unmitigated pain,” he told the Maryville congregation. “God never promised us a life without trials. As Americans, we want a carefree and happy life. We think that’s God’s will for our lives. Get a clue. God’s will for your life is to make you into the image of His Son, and that only happens through the heartaches and trials of life.”
Monday, March 23, 2009
Dreamy
Thursday, March 19, 2009
A Real Job?
Tuesday, March 17, 2009
Fish outa water
Just a fish outa water. This was pianted by a friend at lovely party featuring the most beautiful canvases. The artisit is here http://www.jessicagregory.net. However the poet is here:
Divine Madness
I have been a worm against the wall.
I have been warned against my call.
I have been made small
under the thumb and flat on my back.
I have whined and writhed under attack.
But today, today I say: Enough.
I am done looking among the blind
for visionary paths they cannot find.
I am done sitting among the crippled
who cannot walk in the spirit
The day has past when they can cast
me down in the pit of psychiatric pills
The day is done when I try to become
as small as they see me to be.
I am a Believer.
I’m in super vision of the supernatural.
I have seen the white light
that shines from my eyes
and I will not hide.
I have witness to the pillar of light
that pours in and out of my crown.
I will not sit down and pretend, no.
I can spin balls of light in my hands.
I can push that light into skin
and bring convulsions of passion
at the passing of my hand.
I have witness to the stars
I gather in the dark of my room,
stars that throb and spin
when I sing their names.
I claim the power of the spirit in my hands.
I have healed the sick. By my hand
I have cast out sorrows and shadows
at my command.
I can see the buried stories
of the attacked and maimed
I release them from shackles of pain.
By the spirit I am powerful beyond the natural
and I will not walk in shame.
I can see lairs when they talk
and deceivers when they walk.
The force field of my anger has stopped the clock,
smoked the computer, and choked the coffeepot.
And I’m not gonna stop believing in what I got.
I utterly submit to the madness of my divinity.
It is within me.
And I testify -
It is in you.
You can shine, I don’t mean rhetorically,
I mean literally, shine,
like a light bulb, like a lightening bolt.
You can hear the holy dead
and you can dream where you are led.
You have not begun to believe
what you really are.
You have been too long deceived
crushed like worms in the mud.
Oh ye of little faith,
escape the prison of rational naturalism.
You are super-natural.
Rise up.
The light they speak of?
It is real.
The tongue of fire on your head,
is real.
Be crowned in the spirit,
a beacon in the dark.
Rise up,
Rise up you stars
and crawl no more.
January 22, 2009
Thursday, March 12, 2009
Working hard
Wednesday, March 11, 2009
Edgy Photos
Too bad photography requires those pesky cameras. My friend brought over the movie "Fur" a fictional biography of Diane Arbus, photographer of freaks and other normal people. Then she shared this biography:http://www.amazon.com/Diane-Arbus-Biography-Patricia-Bosworth/dp/0393326616/ref=sr_1_1?ie=UTF8&s=books&qid=1236783484&sr=1-1
Diane Arbus committed suicide in 1971 at the age of 48. Her photos are intense. I feel correspondences with her, being a mother, coming out of a very conventional life into an independent "alternative" life, struggling with depression, trying to live creatively. But she is far more courageous than I am. I think some of my poems are edgy like her work. Recently I've been experimenting with photographic collages set in shadow boxes. I use multiple images of a subject, cutting them out by hand and piecing them onto mats in the foreground or back ground and layering them. I am looking at the presented image of the person and the shadow form. I like to use photos taken when they are unaware or unposed or even resistant and layer these with more posed images, or with other objects like mushrooms and staircases. I think they are lovely. One disturbed my son. It showed my parents at their wedding and layered with them now at my niece's wedding. It was harsh. I rebuilt it with more friendly images, layering the old photo with images of my niece and her new husband. I still like the original. I want to do a study of sleeping people.
Here are a few interesting photos that may be a bit in the style of Arbus. These are digital and color so nothing like hers, but I will work on it. The first one, above, I took of me being very sad and mad. It was new year's day, happy fucking new year.
The next one below is more straightforward but I like the rejecting posture of the boy and the red spot on his hand like a wound. The flash was too much though. I used this in a complex layered piece with photos of another child, a total of four different images expressing a conflict between the children and between their individual presented selves. The last one is just fun. I am working in a layered piece with this one using a shadowed nude image of me as a "cake" on a cake plate in the foreground of this photo of a pastry case with reflections. It seems to be too complex though, especially in the small size.